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	<title>RadioPlateaux</title>
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		<managingEditor>admin@radioplateaux.org ()</managingEditor>
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		<ttl>1440</ttl>
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		<itunes:summary></itunes:summary>
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		<itunes:category text="Society &amp; Culture"/>
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			<itunes:name></itunes:name>
			<itunes:email>admin@radioplateaux.org</itunes:email>
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		<itunes:block>No</itunes:block>
		<itunes:explicit>no</itunes:explicit>
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			<title>RadioPlateaux</title>
			<link>http://radioplateaux.org</link>
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		<item>
		<title>Rire de la Meduse</title>
		<link>http://radioplateaux.org/en/2010/07/11/rire-de-la-meduse/</link>
		<comments>http://radioplateaux.org/en/2010/07/11/rire-de-la-meduse/#comments</comments>
		<pubDate>Sun, 11 Jul 2010 18:30:54 +0000</pubDate>
		<dc:creator>Ennoia Neoptolemus</dc:creator>
				<category><![CDATA[Theory Of Composition]]></category>

		<guid isPermaLink="false">http://radioplateaux.org/en/?p=2551</guid>
		<description><![CDATA[







www.youtube.com/watch?v=yzEwizIgCuU
]]></description>
		<wfw:commentRss>http://radioplateaux.org/en/2010/07/11/rire-de-la-meduse/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>descendents of policity</title>
		<link>http://radioplateaux.org/en/2010/07/11/descendents-of-policity/</link>
		<comments>http://radioplateaux.org/en/2010/07/11/descendents-of-policity/#comments</comments>
		<pubDate>Sun, 11 Jul 2010 17:55:45 +0000</pubDate>
		<dc:creator>Ennoia Neoptolemus</dc:creator>
				<category><![CDATA[Politics-Revolutionary Activity]]></category>

		<guid isPermaLink="false">http://radioplateaux.org/en/?p=2548</guid>
		<description><![CDATA[







www.youtube.com/watch?v=jDbHLMKkps4
Hélène Cixous.
]]></description>
		<wfw:commentRss>http://radioplateaux.org/en/2010/07/11/descendents-of-policity/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>almost silence strategies</title>
		<link>http://radioplateaux.org/en/2010/07/11/almost-silence-strategies/</link>
		<comments>http://radioplateaux.org/en/2010/07/11/almost-silence-strategies/#comments</comments>
		<pubDate>Sun, 11 Jul 2010 17:43:22 +0000</pubDate>
		<dc:creator>Ennoia Neoptolemus</dc:creator>
				<category><![CDATA[Politics-Revolutionary Activity]]></category>

		<guid isPermaLink="false">http://radioplateaux.org/en/?p=2542</guid>
		<description><![CDATA[







www.youtube.com/watch?v=ZKUQWv0irVw
Hélène Cixous.
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fontana&#8217;s River Sounding Installation &#8211; A Binaural Interpretation</title>
		<link>http://radioplateaux.org/en/2010/05/30/fontanas-river-sounding-installation-a-binaural-interpretation/</link>
		<comments>http://radioplateaux.org/en/2010/05/30/fontanas-river-sounding-installation-a-binaural-interpretation/#comments</comments>
		<pubDate>Sun, 30 May 2010 15:08:27 +0000</pubDate>
		<dc:creator>johnny</dc:creator>
				<category><![CDATA[Installations]]></category>
		<category><![CDATA[sonic art]]></category>
		<category><![CDATA[soundscapes]]></category>
		<category><![CDATA[theory]]></category>

		<guid isPermaLink="false">http://radioplateaux.org/en/?p=2536</guid>
		<description><![CDATA[


River Soundings

Bill Fontana began his artistic career as a composer. &#8220;What really began to interest me was not so much the music that I could write, but the states of mind I would experience when I felt musical enough to compose. In those moments, when I became musical, all the sounds around me also became [...]]]></description>
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		<slash:comments>0</slash:comments>
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<itunes:duration>26:27</itunes:duration>
		<itunes:subtitle>River Soundings


Bill Fontana began his artistic career as a composer. "What really began to interest me was not so much the music that I could ...</itunes:subtitle>
		<itunes:summary>River Soundings


Bill Fontana began his artistic career as a composer. "What really began to interest me was not so much the music that I could write, but the states of mind I would experience when I felt musical enough to compose. In those moments, when I became musical, all the sounds around me also became musical"





This kind of subjective musical transformation of wherever I happened to be was fascinating. The investigation and isolation of these experiences became my obsession. I began to carry a tape recorder wherever I went (the most interesting tape recorder at this time as a miniature Nagra), so that when the ambient sounds became musical, I could make a recording of them.

As these recordings accumulated, I began to wonder what it meant. Should I make concerts out of these recordings? Should I use these recordings as raw material with which to create studio compositions out of sound?

I began to regard recording a sound as an act in mental intensity equal to writing music, with some of these recordings having the real possibility of being accepted by me as a composition. But who would believe this?, composing by listening? For these sound recordings to be as aesthetically meaningful as musical compositions required some radical solutions, but I did not as yet know what these were to be.

My search for these aesthetic solutions continued as I went to live in Australia in the early 1970's. I had an amazing job working for the Australian Broadcasting corporation to record what Australia sounded like from 1974 to 1978. This gave me the chance to listen, dream and record with unlimited technical resources for the first time in my life.

Two recording experiences of this period had a seminal influence on my work. One was a recording I made in a tropical rain forest during a total eclipse of the sun (in 1976), and the other was an 8 channel field recording of wave patterns happening beneath a floating concrete pier.

The total eclipse recording documented a unique moment that was a once in a lifetime experience in this environment (the next occurrence at this location will be 25 November, 2030 - a span of 54 years) . During the minutes just before the moment of totality (having a duration of 2 minutes), the acoustic protocol between birds, determining who sang at the different times of day became mixed up. All available species were singing at the same time during the minutes immediately proceeding totality, as the normal temporal clues given by light were obliterated by a rainforest suddenly filled with sparkling shadows. When totality suddenly brought total darkness, there was a deep silence.

This recording was seminal for my work because a total eclipse is always conceived of as being a visual experience, and such a compelling sonic result was indicative of how ignored the acoustic sensibility is in our normal experience of the world. From this moment on, my artistic mission consciously became the transformation and deconstruction of the visual with the aural.

This led me to not only become interested in the musicality and compositional wholeness of environmental sound, so that the act of listening and its extension through sound recording equaled music; but that the visual space that was sounding equaled sculpture and architecture.

At this moment, I became interested in Duchamp, and a passage from "the bride stripped bare by her bachelors even", which led me to call my art form sound sculpture:</itunes:summary>
		<itunes:keywords>Installations,,sonic,art,,soundscapes,,theory</itunes:keywords>
		<itunes:author>admin@radioplateaux.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Fight the cuts in Britain and Greece &#124; Tony Benn &#124; Can&#8217;t Pay Won&#8217;t Pay &#124;</title>
		<link>http://radioplateaux.org/en/2010/05/28/fight-the-cuts-in-britain-and-greece-tony-benn-cant-pay-wont-pay/</link>
		<comments>http://radioplateaux.org/en/2010/05/28/fight-the-cuts-in-britain-and-greece-tony-benn-cant-pay-wont-pay/#comments</comments>
		<pubDate>Fri, 28 May 2010 11:22:08 +0000</pubDate>
		<dc:creator>Ennoia Neoptolemus</dc:creator>
				<category><![CDATA[Politics-Revolutionary Activity]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://radioplateaux.org/en/?p=2531</guid>
		<description><![CDATA[







www.youtube.com/watch?v=Cxa5nr2maf4
]]></description>
		<wfw:commentRss>http://radioplateaux.org/en/2010/05/28/fight-the-cuts-in-britain-and-greece-tony-benn-cant-pay-wont-pay/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kristeva, energetic pessimist</title>
		<link>http://radioplateaux.org/en/2010/05/26/kristeva-energetic-pessimist/</link>
		<comments>http://radioplateaux.org/en/2010/05/26/kristeva-energetic-pessimist/#comments</comments>
		<pubDate>Wed, 26 May 2010 10:31:29 +0000</pubDate>
		<dc:creator>Ennoia Neoptolemus</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[theory]]></category>

		<guid isPermaLink="false">http://radioplateaux.org/en/?p=2522</guid>
		<description><![CDATA[

Julia Kristeva at a recent talk commented eloquently about contemporary European identity and her theories of the semiotic, democracy, religion and spirituality, and on issues of art and creativity, and public and private among other threads and trains of thought.  The event offered a timely reminder of just how valued a thinker Kristeva has been [...]]]></description>
		<wfw:commentRss>http://radioplateaux.org/en/2010/05/26/kristeva-energetic-pessimist/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://radioplateaux.org/wp/podpress_trac/feed/2522/0/Kristeva_in_conversation_pt_1.mp3" length="91341661" type="audio/mpeg"/>
<itunes:duration>63:26</itunes:duration>
		<itunes:subtitle>Julia Kristeva at a recent talk commented eloquently about contemporary European identity and her theories of the semiotic, democracy, religion and spirituality, and on issues ...</itunes:subtitle>
		<itunes:summary>Julia Kristeva at a recent talk commented eloquently about contemporary European identity and her theories of the semiotic, democracy, religion and spirituality, and on issues of art and creativity, and public and private among other threads and trains of thought.nbsp; The event offered a timely reminder of just how valued a thinker Kristeva has been and still is, totally inspiring.

Kristeva-revolution_in_poetic_language(excerpt).pdf</itunes:summary>
		<itunes:keywords>Uncategorized,,theory</itunes:keywords>
		<itunes:author>admin@radioplateaux.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>SoundFjord London: are you listening?</title>
		<link>http://radioplateaux.org/en/2010/05/25/soundfjord-london-are-you-listening/</link>
		<comments>http://radioplateaux.org/en/2010/05/25/soundfjord-london-are-you-listening/#comments</comments>
		<pubDate>Tue, 25 May 2010 10:48:04 +0000</pubDate>
		<dc:creator>Ennoia Neoptolemus</dc:creator>
				<category><![CDATA[sonic art]]></category>

		<guid isPermaLink="false">http://radioplateaux.org/en/?p=2519</guid>
		<description><![CDATA[
SoundFjord London represents a new dedicated Sonic Art Gallery and Research Unit, based initially in London, but with a scope that aims to connect creative practitioners and researchers throughout the globe through the Sonic Social, which is now open to join.

The official opening of the space is Saturday July 31st, 4-8pm.  Get more information by [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>International academics protest at Middlesex philosophy closure  Noam Chomsky, Slavoj Žižek and others urge dean to reverse department closure as students occupy campus building</title>
		<link>http://radioplateaux.org/en/2010/05/08/international-academics-protest-at-middlesex-philosophy-closure-noam-chomsky-slavoj-zizek-and-others-urge-dean-to-reverse-department-closure-as-students-occupy-campus-building/</link>
		<comments>http://radioplateaux.org/en/2010/05/08/international-academics-protest-at-middlesex-philosophy-closure-noam-chomsky-slavoj-zizek-and-others-urge-dean-to-reverse-department-closure-as-students-occupy-campus-building/#comments</comments>
		<pubDate>Sat, 08 May 2010 18:31:18 +0000</pubDate>
		<dc:creator>johnny</dc:creator>
				<category><![CDATA[Politics-Revolutionary Activity]]></category>

		<guid isPermaLink="false">http://radioplateaux.org/en/?p=2500</guid>
		<description><![CDATA[

More than 60 internationally renowned academics from across the globe have written to the dean of Middlesex University urging him to reverse the decision to close the philosophy department.
Alain Badiou, Judith Butler, Slavoj Žižek and Noam Chomsky were among those who condemned the decision.

Chomsky said he was &#8220;deeply disturbed to learn of the decision&#8221; and [...]]]></description>
		<wfw:commentRss>http://radioplateaux.org/en/2010/05/08/international-academics-protest-at-middlesex-philosophy-closure-noam-chomsky-slavoj-zizek-and-others-urge-dean-to-reverse-department-closure-as-students-occupy-campus-building/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Middlesex University Drops Philosophy Department</title>
		<link>http://radioplateaux.org/en/2010/04/29/middlesex-university-drops-philosophy-department/</link>
		<comments>http://radioplateaux.org/en/2010/04/29/middlesex-university-drops-philosophy-department/#comments</comments>
		<pubDate>Thu, 29 Apr 2010 10:31:54 +0000</pubDate>
		<dc:creator>johnny</dc:creator>
				<category><![CDATA[Politics-Revolutionary Activity]]></category>

		<guid isPermaLink="false">http://radioplateaux.org/en/?p=2497</guid>
		<description><![CDATA[
Middlesex University Drops Philosophy Department



As I am sure many of you are already aware, in their infinite neoliberal wisdom through a vomiting forth of corporate speak, the management of Middlesex University have decided to cut their entire philosophy department. The Department of Philosophy at Middlesex is an absolutely exceptional place, whose work on continental/European philosophy has [...]]]></description>
		<wfw:commentRss>http://radioplateaux.org/en/2010/04/29/middlesex-university-drops-philosophy-department/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Overidentification and/or bust?          &#8211; Stevphen Shukaitis</title>
		<link>http://radioplateaux.org/en/2010/04/21/overidentification-andor-bust-stevphen-shukaitis/</link>
		<comments>http://radioplateaux.org/en/2010/04/21/overidentification-andor-bust-stevphen-shukaitis/#comments</comments>
		<pubDate>Wed, 21 Apr 2010 09:09:02 +0000</pubDate>
		<dc:creator>Ennoia Neoptolemus</dc:creator>
				<category><![CDATA[Politics-Revolutionary Activity]]></category>
		<category><![CDATA[sonic art]]></category>
		<category><![CDATA[theory]]></category>

		<guid isPermaLink="false">http://radioplateaux.org/en/?p=2491</guid>
		<description><![CDATA[







www.youtube.com/watch?v=wwdOX19_ETI
In 1987, Laibach, the musical wing of the Slovenian art collective   Neue Slowenische Kunst (New Slovenian Art, or NSK), released a   reworked version of the Queen song ‘One Vision’. Whereas the   original 1985 Queen song was inspired by the group’s participation in   Live Aid and espoused a [...]]]></description>
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		<slash:comments>0</slash:comments>
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